We were at Davaagiin Batbayar’s home outside the Ulaanbaatar, in quite a rural area in Gorkhi-Terelj National
As time went on, I became uncomfortable with the idea of turning her battle into my project.
We are tourists in the reality that surrounds us.
The picture was shot in autumn 1983 during shootings of the Parajanov’s film.
Roses in Łada are the last motif I photographed – they came back to Poland in the camera.
This image was taken last year during International Mask Tradition Festival in Madona.
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